Archivists take over the popular bar-based monthly lecture series, Nerd Nite Philly.
7:30pm – 9:30pm on Wednesday, October 4th, 2017
1210 Frankford Ave, Philadelphia, PA 19125
$5 cover gets you admission plus happy hour specials all night
What is Nerd Nite?
Nerd Nite is a monthly lecture event that strives for an inebriated, salacious, yet deeply academic vibe. It’s often about science or technology, but by no means is it limited to such topics. And it’s definitely entertaining. Our unofficial tag line is “It’s like the Discovery Channel – with beer!” There are Nerd Nites around the world, Philadelphia is just one of them. Take a gander at http://philadelphia.nerdnite.com/welcome/ for more info.
Speakers for Nerd Nite: Archives Take-Over 2017
Laurie Allen: Monument Lab: Changing the way we write the history of our city together
What is an appropriate monument for the current city of Philadelphia? Monument Lab is a citywide public art and history project centered around that important question. We’ve invited local and non-local artists to create temporary monuments and are gathering proposals from Philadelphians that will become a permanent collection of speculative monuments that tie together our city’s past, present, and future. More info: http://monumentlab.muralarts.org/
Dayjob: Running the Digital Scholarship Department at the Penn Libraries. Working to expand capacity for new kinds of scholarship. Also co-founder (with Penn Program in Environmental Humanities) of Data Refuge, an attempt to make copies of environmental and climate data housed on US Federal websites. Side Gig/Passion project: Research Director of Monument Lab. Working to create an archive/collection/dataset that reflects Philadelphia’s creative collective brilliance.
Michelle Squiccimara: It’s Bigger on the Inside: How the world’s largest collection of Three Stooges memorabilia landed outside of Philadelphia.
Open to the public since 2004, The Stoogeum (rhymes with “museum”) houses over 100,000 objects along with an archive, research library, film vault, and a movie theater. Conceived as a home away from home for die-hard Three Stooges fans and the headquarters of one of the country’s oldest active fan clubs, the Stoogeum is now a highlight for oddity seekers from around the world. More info: http://stoogeum.com/
Michelle Squiccimara is the registrar and outreach coordinator at The Stoogeum, the world’s largest collection of Three Stooges memorabilia. Despite what you may have heard, she did not get this job by guessing the correct number of jelly beans in a jar or win a call-in radio contest.
Will Fenton: Friendly Indians, Fighting Quakers, and Scurrilous Pamphlets: The 1764 Paxton Pamphlet War
In December 1763, following years of gruesome frontier warfare, armed settlers in the Paxton Township exacted revenge on an isolated, unarmed Indian settlement, attacked the Lancaster jailhouse where refugees had taken shelter, and vowed to march all the way to Philadelphia. While these “Paxton Boys” were stopped in Germantown by a delegation led by none other than Benjamin Franklin, their critics and apologists spent the next year battling tooth and nail in print. Digital Paxton (digitalpaxton.org) is a digital archive, scholarly edition, and teaching platform for the 1764 Paxton pamphlet war.
Will Fenton is the Elizabeth R. Moran Fellow at the American Philosophical Society and a doctoral candidate at Fordham University where he specializes in early American literature and the Digital Humanities. His dissertation, “Unpeaceable Kingdom: Fighting Quakers, Revolutionary Violence, and the Antebellum Novel,” explores how nineteenth century American novelists use “fighting Quakers” to authorize the violences attendant upon settlement, slavery, and westward conquest. He has developed a complementary digital humanities project,
Musical Act: Midwestern Exposure
Midwestern Exposure is a Blues / Roots rock band from Philadelphia consisting of Cam Clark, Jeff Goldman and Forrest Wright. Their recently released second album; The Workin’ Man’s Special, noticeably exudes a higher level of dedication and maturity from the band’s first album The Walrus Rabbi. The Rabbi was a terrific original dose of what Cam Clark and his music is all about so this time around the ante was upped and the bar, raised. The addition of Forrest Wright and his innovative styling’s ranging from tight melodic lines to fierce distorted runs on the lap steel, pedal steel and dobro had a striking impact on the overall sound of this album. With ominous adventures like ‘Pipeline’ the tone was set for an album with depth and dirtiness that the band’s music had not reached before. More info: https://midwesternexposure.bandcamp.com/album/the-west